Jarrad Martyn’s practice explores how different moments in Australian history have been framed and how we engage with spaces after they have become abandoned. Through painting and installation Martyn employs the principles of bricolage ‘something constructed from a diverse range of things’ to bring together imagery and research to create a more conversational meaning of the history being explored.

Image: Jarrad Martyn, Late Night News, 2018, Acrylic on metal